
Found Gallery proudly presents ‘Displaced,’ a collection of recent works by several artists from the greater Gulf Coast area. Featuring several musical treats from New Orleans local musical treasures. Art by Jonny C, Joint Custody Artist Kim Culotta, Jonny’s uncle Keith Eccles, Mississippian Ginger Williams, Moxy Studios owner Joan Cox, Kenny McAshan, Dena Richardson, Rochelle Alfaro, Daniela Marx, and Adam Farrington.
5-8pm at Found Gallery in Silverlake.

Jonny Coleman, a native New Orleanian, recruited the help of some old and new friends in order to share the perspective of a region that, for many, has its denizens feeling abandoned, lost, or forgotten. Coleman’s uncle Keith Eccles (an inner city New Orleans high school two time teacher of the year and artist who designed a giant thank you mural to Congress after appropriating billions of dollars to reconstruction in the area) will be displaying a huge new 7 x 12 foot painting. Joint Custody Artist Kim Culotta spent a few months using her uncle’s unlivable house as a painting studio. Culotta’s colleague Ginger Williams, a Missisppi resident, presents a barrage of small mixed media portraits, several based on the Saffir-Simpson scale (see above).

Coleman met artist/gallerist Joan Cox about (whose Joan of Arc piece is above) a year ago. She opened Moxy Studios in Uptown New Orleans about a month prior to the hurricane. After battling to return to New Orleans, she reopened and stayed open until only weeks ago. She had to relocate to the D.C. area. Cox was kind to share her artists for this exhibition. Painter Kenny McAshan (image below) has delivered a dozen small framed works on cardboard in two series, titled ‘Debris’ and ‘Houston.’

Rochelle Alfaro, Dena Richardson, Daniela Marx, and Adam Farrington (another Uptown gallerist/artist) are artists that have shown work along with Coleman at another store-turned-gallery near Moxy Studios called Mystic Blue. Their work is very sculptural, with Richardson and Alfaro creating trash collages and Marx and Farrington working in metal.
You must come view how the works as a whole cohere into a colorful, stylized, and intimate importing of a very specific time and place that most have only read about or seen on television. Please come see what these people have produced, going beyond an objective elegy or simple documentation of destruction, and into a real first hand account of people, places, events, and emotions.